Suchergebnisse

Cover -- Half Title -- Title -- Copyright -- Original Title -- Original Copyright -- Contents -- Acknowledgements -- Preface -- 1. Beginnings: On the Left -- 2. Structuralism/Post-structuralism -- 3. Film Theory -- 4. Cultural Studies -- 5. The Social Sciences -- 6. Historical Studies -- 7. Psychology -- 8. Art History -- 9. Musicology -- 10. Philosophy -- 11. Literary Theory -- 12. Deconstruction -- 13. Post-structuralism and the English Tradition -- Appendix I Textual Practice: One Example -- Appendix II A Note on Institutions -- Appendix III An Interview with Jacques Derrida -- Bibliography -- Index.

During the twentieth century, the medium of film has developed as a means of understanding the complexity of modern life. Since 1968, film theory has concentrated not so much on theme or content but on the deeper question of how the medium works on its viewer. Film theory has been profoundly influenced by the writings of such modern thinkers as Saussure, Freud, Lacan, Anthusser, Derrida and Kristeva. It combines modes of textual analysis relating to linguistics and semiology, a Marxist reading of ideology, and theories of subjectivity, the spectator and gender redefined by psychoanalysis.>

Cover -- Half-Title -- Dedication -- Title -- Copyright -- Contents -- Acknowledgements -- Foreword by Diane Easthope -- Editor's Preface -- 1 Duchamp -- 2 Heath -- 3 From Marxism to Difference -- 4 Said -- 5 Bhabha -- 6 Rose -- 7 Haraway -- 8 Braidotti -- 9 Butler -- 10 Dollimore -- 11 Eagleton -- 12 Grossberg -- 13 Žižek -- 14 The Two Jakes -- 15 Conclusion -- References -- Index.